A Novel Idea

Archive for the ‘Writer’s Groups’ Category

I’m certain there’s a glamourous image evoked in the minds of potential authors by the term ‘writer’s group’. If I thought about this term even two years ago, my mind would conjure up famous gatherings like The Bloomsbury Group or The Inklings. I would imagine Virginia Woolf, John Maynard Keynes and E. M. Forster dining and debating in a London home. I could see C.S Lewis and J.R.R Tolkein reading aloud and laughing over a pint in an Oxford pub.

Now the term ‘writer’s group’ means something much more humble but far more useful to me.

Today I am a member of three disparate writers’ groups. I write across ages and genres, so each group sees different pieces.

By writing group, I mean a gathering of people who bring their work to each meeting to seek and provide feedback aimed at improving everyone’s writing.

I don’t mean a reading club where you talk about how incredible Toni Morrison is or a drinking session where you moan about writer’s block or how much you hate that your teenager thinks Twilight is good reading.

It takes some brass to open yourself to critique, but every instrument needs polish to shine.

I want to share my thoughts on what constitutes a successful writing group.

1. Common purpose

Writing groups are like relationships – they work best when you both want the same outcome.

Just as the girl who repeatedly stalls in front of jewellery shop displays studded with sparkling engagement rings in the hope that the boyfriend will one day get the hint, some groups are ultimately a waste of time.

Not everyone who writes needs to be published. They may want it, but aren’t prepared to do what it takes to make it happen.

Let me be clear. Any feedback about your writing is helpful. Regardless of whether someone has published One Hundred books or just read that many, their response to your work is of interest. But if your writer’s group is composed of people who are just dabbling, odds are you’re not maximizing the quality of feedback.

2. Regularity and size

At this risk of sounding like an advertisement for Metamucil, do not underestimate the importance of staying regular.

Two of my groups meet monthly, one meets fortnightly. Weekly meetings are possible, but I find fortnightly works best. It is long enough to produce a satisfying chunk of work and incorporate feedback into the editing process. One also has a life beyond writing to juggle…

Inevitably people cannot make every group meeting. That’s where size matters. Like a house of parliament, you need a quorum. If only two other people turn up, it makes it difficult to decide how to treat feedback you don’t vehmently agree or disagree with. If you have four or five opinions on the same piece, you have a better chance of obtaining an objective analysis of your work.

Twelve is a good number for a writing group. It’s manageable if everyone turns up, but half the time you’ll be receiving four to six diverse responses to your work. But like the Apostles, you’ll probably have one Judas.

Which leads me to my final tip.

3. Protect your work

The risk with sharing your work is not so much that someone will plagiarise it (in Australia the form of words is protected by copyright), it is that they will steal your idea and write something better. Or even something average that gets published before yours and sops up the public interest.

This is tricky.

It goes without saying that you should add a copyright note to all your material, whether it’s the first or thirty-seventh draft. I would also caution against giving people electronic or hard copies of your work until it is published. Make sure you collect every copy of your work at each meeting.

Unfortunately you can’t stop someone using your idea. I have heard speakers respond to this by saying your idea probably isn’t as unique as you think it is – there’s nothing new under the sun. That may be true, but it’s not very comforting.

I was at a course recently, with a well-known Australian author (within their field), who confided that a writing friend had published an almost identical book to the one this author had discussed with them just a year earlier. The so called friend had had a nervous breakdown and seemingly had no idea that they had done something wrong.

If you had the money to sue, you could. You might get back your expenses or even a share of royalties. You don’t get your book back though.

Protect your work by sharing it when you are close to finishing the draft cycle (within 3-6 months of your completion date). This makes it harder for someone to pip you at the proverbial post. This has the added benefit of putting some time (and therefore some objectivity) between you and your writing.

Take comfort in the fact that you are a writer, not a one-hit wonder. You will have other novel ideas.

Where to begin? 

Contact your national or regional writer’s centres to find out about active writer’s groups in your area.

Or start your own.

I would love to hear about other writer’s thoughts on writer’s groups. Any catastrophes? Any triumphs?

I’ll leave you with a quote from E.M. Forster:

‘Either life entails courage, or it ceases to be life.’

Time to print out copies for my next meeting…

Write well. Write often.

V.

(C) Copyright of the author. 2010.